Alucard

Adrian Fahrenheit Ţepeş (アドリアン・ファーレンハイツ・ツェペシュ) (also spelled as Adrian Farenheights Tepes ), better known as Alucard (アルカード), is the dhampir son of Dracula. Despite having debuted in Castlevania III: Dracula's Curse as a supporting character, Alucard was reintroduced as the main protagonist of Castlevania: Symphony of the Night, his most well-known appearance.

As the offspring of an unnatural bond between Dracula and a human woman named Lisa, Adrian had special powers and was destined to be stronger than any human but not potentially as strong as his father. After Lisa was killed, having been mistaken for a witch, Adrian grew up under the influence of his father, whence he was taught in the dark arts and molded into a warrior who would one day fight for the side of evil.

Adrian's existence did not come without quirks, as the gentle, human side of his mother always seemed to cloud his "better judgement", as Dracula would have put it. At her death, Adrian was by his mother's side. She insisted that he not take his anger at her death out on the humans, as their lives are already full of hardship. With those words, she had a profound influence on Adrian's thinking. His mind wandered as he questioned his father's will. After standing by for as long as he could, he broke away from his father's army and disappeared. Understanding that Dracula was going to impose his wrath on the people, Adrian would turn his efforts toward destroying his father's army, hopefully encouraging him to reconsider. Furthermore, he chose to go under the name "Alucard" — Dracula's name in reverse — to represent that he stood for beliefs opposite those of his father.

Alucard is an adept swordsman and typically wields one-handed swords. Alucard's other attacks use dark magic. As a shape-shifter, Alucard can change himself into a bat, a wolf, or even mist.

Castlevania III: Dracula's Curse
In 1476 when Trevor C. Belmont was on his own quest to hunt out the Count Dracula, who had manipulated his son into fighting for evil, Alucard would be waiting for Trevor Belmont to come by. Alucard acted like a boss (not a real boss) at this point, testing the skills of the hero. Alucard was surprised by Trevor's strength when he was defeated and asked if he could join Trevor on his quest.

After helping to destroy Dracula, and despite his good intentions, Alucard couldn't help but feel guilty for having committed patricide. To ease his pain, he put himself to rest, submerging his powers.

Castlevania: Symphony of the Night
In 1797, due to the unexpected lack of a Belmont, Alucard had no choice but to awaken from his slumber to investigate the matter and infiltrate Castlevania. He discovered Richter Belmont had been seduced by evil and was controlling the castle.

With the help of Richter's kin, Maria Renard, they were able to find out the truth: the dark priest Shaft was controlling Richter and wanted to raise Dracula from the dead. After releasing Richter from Shaft's control, Alucard entered an upside-down version of Castlevania, with more powerful enemies, and confronted Shaft.

Having defeated Shaft, Alucard discovered that his efforts were in vain, as Shaft's plan had come to fruition regardless. He defeated his father in single combat once more, and sent him back to the grave, though Dracula did show a spark of humanity after Alucard told him Lisa's last words: that mankind should be left in peace, and that she would always love him. He then planned to put himself back at rest but Maria, who had developed a strong attraction to him, set out to convince him to stay.

Castlevania: Nocturne of Recollection
One year after defeating his father, an incubus named Magnus attempted to convince Alucard to return to the side of evil. Alucard resisted Magnus' efforts and aided Maria, Richter, Cyril, and Alexis in their fight against Magnus.

Magnus revealed to Maria Alucard's history of consuming human blood, including his turning of Lyudmil, his old servant, into a vampire. When questioned by Maria, Alucard did not deny these accusations. Lyudmil was manipulated by Magnus into fighting Alucard.

Castlevania: Aria of Sorrow
In the year 2035, a man named Genya Arikado (有角幻也) and his close associate, Yoko Belnades, a Catholic Church employee, began to frequently visit the Hakuba Shrine in Japan. Mina, the shrine caretaker's daughter, was not sure of what they were looking for, but she was always friendly to the duo. Genya, an extremely cold man with an inhumanly attractive face, was a member of a shadowy organization somehow related to national security. He and Yoko knew well about the events where the castle was sealed away in the eclipse by a group of vampire hunters, and about the prophecy that says someone would come to the castle in 2035 to inherit Dracula's powers.

Genya Arikado is revealed to be Alucard in disguise. This is shown by the dialogue between Soma and Yoko in Study, although she doesn't intend to mention Alucard's real name. Julius Belmont was present, roaming the castle, but his amnesia and advanced age made it too risky for him to get involved in big conflicts.

Alucard knew that the power of the seal holding Dracula was wearing off. If someone with bad intentions, like Graham Jones, were to seize the opportunity and inherit that power, his father would return, reborn.

Alucard then came up with a plan. He would find the person truly prophesied to inherit the Dark Lord's powers and summon him to the castle on the day of the solar eclipse. That person turned out to be Soma Cruz. Alucard helped him to discover his natural absorbing abilities in hope that Soma would use that power to collect the enemies' souls and the castle's energy essence, becoming someone as powerful as Dracula. A self-aware absorber could use that collected power to enter into where only Dracula could go: the Chaotic Realm, where the seal remained broken, having the chance to fix it by destroying the source.

After killing Graham Jones, Soma realized that he himself was the rebirth of Dracula, so Alucard ordered him to find and cut the flow of Chaos and suppress Dracula's spirit before it could take over his body completely, resealing the castle within the eclipse, bringing his friends to safety, and ending the threat of Dracula's resurrection for the time being.

Castlevania: Dawn of Sorrow
Alucard first makes his appearance as Genya Arikado to Soma Cruz in 2036 upon their encounter, as he attempts to protect him from Celia Fortner, the leader of the cult devoted to recreating the Dark Lord. After Soma defeats the monsters that Celia summoned using the Knife that Arikado throws to him and after absorbing their souls, he wonders why his "power of dominance" has returned. Arikado reveals that he has always had that power, it was just that he never had a need for it after he left Dracula's castle. After their discussion, Arikado tells Soma that he and his associates will handle Celia and asks him not to get involved.

Their next meeting is in the Demon Guest House, where Arikado angrily berates Soma for involving himself in this affair. However, he agrees to Soma's continued participation because he has already entered the castle. He asks Soma about what he has encountered so far and Soma reveals Celia's plan to slay him and replace him using the Dark Lord's candidates, Dmitrii Blinov and Dario Bossi. Arikado reveals his intention to look into the matter further and also gives Soma a letter from Mina, which contains a talisman that will protect Soma from evil energy. He then departs, in search of Celia.

When Soma first enters the Cursed Clock Tower, he runs in along with Julius Belmont to find Celia waiting for them. Celia reveals that she has fused a flame demon to Dario's soul that has drastically increased his powers. Afterward, Celia teleports away and Arikado tells Julius to pursue Dario while he will hunt for Celia.

At one of the game's critical junctions, Arikado runs into the Garden of Madness to stop Soma from transforming into the Dark Lord after Celia killed "Mina". Due to the fact that Soma was wearing Mina's Talisman, he was able to break the transformation, much to Celia's chagrin. However, a black soul flew from Soma into the Doppelganger that was posing as the "Mina" that Celia slew. That Doppelganger became Dmitrii, who had been believed slain by Soma earlier in the game. Arikado realizes that Dmitrii has copied Soma's power of dominance, and it is the key to becoming the Dark Lord. As Arikado moves forward to confront Dmitrii, however, Dmitrii reveals that he knows Arikado's true identity as Alucard, son of Dracula (although he does not explicitly reveal this fact), and that he will kill Soma if Arikado comes forward. Dmitrii and Celia teleport away and Arikado reveals to Soma that there is a gateway to the origin of the dark energy the castle has been accessing: The Abyss underneath the castle, and this is where Dmitrii and Celia have fled.

However, in order to gain access to The Abyss, Arikado is forced to enlist the talents of Julius Belmont, who shatters the barrier dividing that area from the rest of the castle. Julius is reluctant to do so because it will drain his power and leave him unable to fight but Arikado says his power is the only way the barrier can be broken. As the barrier is broken, Arikado falls into the passageway and renews his pursuit of Dmitrii and Celia.

Arikado is standing with Dmitrii in the final, massive room of The Abyss, apparently drained. He reveals to Soma that Dmitrii's sacrifice of Celia created a reversal of his powers and canceled his attempts to assault Dmitrii. As Dmitrii prepares for the showdown of his power of dominance against Soma's, he becomes engulfed in dark energy, and Arikado realizes that since Dmitrii's soul is weaker than Soma's, he cannot retain full dominance of the souls of the monsters he gained dominance over. In his anger, Dmitrii blasts Arikado away with a spell before the creatures escape his body and converge to form the gargantuan Menace, who is Soma's final opponent.

Near the end, as numerous characters went to embrace Soma after his victory, Alucard stood alone, thinking that "If the world needs a Dark Lord, one will emerge, even if it's not Soma."

Conception and design
Alucard first debuted in Castlevania III for the Nintendo Entertainment System, where he was designed by T. Fujimoto and I. Urata. Alucard's subsequent appearances would largely be designed by Ayami Kojima, who managed the character designs for Symphony of the Night and Aria of Sorrow among others. Kojima depicted Alucard with Bishōnen-style art.

Alucard is a man physically in his late teens with long white blond hair. His most recurring garb is the one from Castlevania: Symphony of the Night. Fitting with that game's setting, Alucard wears 18th century style clothing. He wears a black colored jacket consisting of side seams held together by four square brooches that run down vertically, and a belt. Around his neck he wears a large white cravat. Over the jacket Alucard wears a long overcoat with a decorative pattern. Over his other garments he also wears a cape that resembles Bela Lugosi's. The weapon that Alucard usually is portrayed with is the Alucard Sword, a family heirloom from his mother.

His debut appearance from Castlevania III: Dracula's Curse differs greatly from his other incarnations. His only visible piece of clothing is a cape. Alucard's look more closely resembles that of a vampire than his later depictions; fangs, pointy ears, and long finger nails are clearly visible. The cape was the only trait that carried over to later designs.

Personality
Alucard, at first glance, looks like a cool individual of few words and strong determination. However, he also endures great suffering because of his blood curse, a curse to roam the world forever fighting and he suffered deeply due to the death of his mother Lisa, by human hands in which made him feel cold and bitterness toward humans. Alucard is pessimistic, always has a plan for everything, leaves nothing to chance, and will do everything necessary to end Dracula regardless of the cost.

Alucard always seems to stay away from the people around him, given his vampiric condition. He decided to completely exile himself from the world under an eternal sleep. He did not awake from it until Symphony of the Night. It also seems that he forges camaraderie quickly in precarious situations, and also the assistance provided as a minor character in Dracula's Curse.

In Symphony of the Night, Alucard feels completely responsible for dealing with Dracula, whatever the consequences. Speaking to Maria, he is indifferent about Richter being under evil control. Alucard bids a cold goodbye to Richter and Maria at the end of Symphony. Though he forges little human attachment, it is notable that when the Succubus posed as his mother Lisa, Alucard's emotions flared. Alucard also does not withhold his feelings to fight once more against his father, who at the end of the battle quotes some sentences spoken by his mother.

Powers and abilities

 * Dark Magic: Although Alucard can more than hold his own physically, it is magically where he is truly dangerous. Like his father, Alucard can use many types of dark magic, it can be said that his powers is at least ½ of what Dracula's is, since Dracula trained him personally. Alucard mastered most of Dracula's own attacks, such as Hellfire, Dark Metamorphosis, Tetra Spirit and Soul Steal. He can also use his dark magic to alter his physical appearance, which is implied to be how he was able to assume the identity of Genya Arikado.
 * Shapeshifting: Alucard can shapeshift into a wolf, bat or mist to get to certain areas. He is also invulnerable for a short frame in the middle of the transformation process. With the aid of some relics, Alucard can enhance his shapeshifting; his Wolf form can run faster than a bullet, his Form of Mist can become a Poison Cloud, and his Bat form can fire fireballs and also a destructive sonar. He also could assume a giant version of himself, which was demonstrated when he fought against Trevor Belmont, Grant Danasty and Sypha Belnades in Dracula's Curse. It is speculated that Alucard, like Dracula, has a "final form" that he can transform into, but he refuses to use it as he does not want to be like Dracula in any way; this is supported by the fact that at random, Alucard will turn into a massive gargoyle statue when petrified, which is impervious to damage; this may be his "final form". However, if this is true, there is no reliable way to use the form in-game.
 * Speed: He can run faster than a bullet both in his human and wolf form.
 * Strength: Like most vampires, Alucard possesses strength far beyond a normal human.
 * Summoning: Alucard can summon many creatures via Relic Cards, such as an assisting fairy, an elemental spear-wielding demon, a fireball-shooting bat, a soul-stealing ghost or a powerful sword.
 * Swordsman skills: Alucard mastered a variety of weapons, but none as he mastered his mother's sword. Seeing as the sword is a family heirloom, Lisa could have come from a lineage of sword masters or knights. He also inherited the Alucard Shield which improves defense against all attacks, the Alucard Mail which improves Fire, Ice and Thunder elemental defense, and the Dragon Helm which scares enemies and lowers their defenses. With the Twilight Cloak, inherited from his father, Alucard increases defense and reduces flinching.
 * Superhuman senses: Due to his vampire heritage, his sense of smell is very keen, being able to discern even a person's heritage and clan connection just from the scent of their blood. This is best demonstrated when first meeting Richter Belmont in Dracula's castle, where he deduced the latter's status as a Belmont just from his blood's scent.

Castlevania III: Dracula's Curse
Alucard will offer to join Trevor's party after being defeated. He is a tall character and his primary weapon is 1, 2 or 3 Balls of Destruction, depending on how many weapon upgrades he has collected. Alucard can take the form of a bat (consuming hearts with time), allowing him to fly over hazardous areas and reach normally inaccessible areas. Alucard's sole sub-weapon is the Stopwatch.

Castlevania: Symphony of the Night
$Symphony of the Night$

Alucard is the main playable character in this game, which is the first time a non-Belmont has taken the lead, as well as the first time the lead does not utilize a whip. His primary weapon is now a sword, although he can find and equip many different types of weapons. He still has his Balls of Destruction (now called "Hellfire"), but instead of being his primary attack method, they are one of the many spells that he is able to cast at any time using magic, provided the player knows the button combination needed to cast them. He gains many abilities and equipment throughout the game, a trait that all subsequent 2-D lead role characters would share.

Castlevania: Aria of Sorrow
Alucard does not appear as a playable character in this game. He has used a secret identity and is called Arikado in the game. He tells the lead character, Soma Cruz, that he must go to the Castle Keep.



Although his true origin is heavily implied during various cut scenes, Arikado's identity is never openly revealed within this game, such as Yoko almost saying his real name before correcting herself.

An early hint is that during the beginning of Aria of Sorrow, he uses Soul Steal. This makes it easier for anyone who played Symphony of the Night to recognize him for who, and for what he is; that and Yoko almost referring to him as "Aluc-" before correcting herself. Another hint is that in the true ending, Arikado thanks Soma in his mother's memory. Only Alucard's mother is related to Dracula. However, it is in Dawn of Sorrow that his identity is fully established to be Alucard, when (in Julius Mode) he shows up in the Demon Guest House in his real form, as well as additional info in the Library menu.

Castlevania: Dawn of Sorrow
In a nod to Castlevania III: Dracula's Curse, Alucard appears as one of two characters who can join the party of Julius Belmont in Julius Mode. He uses his Castlevania: Symphony of the Night sprite and attacks using his Alucard Sword. He also has his main abilities from Dracula's Curse as sub-weapons. He can change himself into a bat or use Hellfire (Hellfire does not cause him to teleport like in Symphony of the Night).

Boss battle
$Enemy Data$

Castlevania Judgment
$Judgment$ Galamoth plots to send the Time Reaper from 10,000 years in the future into the past to destroy his rival Dracula, and change history. A man named Aeon discovers this and pulls together champions from different eras of history into a dimensional rift, in order to find a chosen one capable of destroying Galamoth's servant, the Time Reaper. Alucard is one of these warriors.

The time period Alucard is taken from is sometime after Castlevania: Symphony of the Night. He is seeking a way to destroy Dracula permanently. After being pulled into the time rift, his desire was to fight and defeat his father at his full strength.

Alucard's appearance is based on his design from Symphony of the Night, but now takes on a more knightly appearance. His weapon of choice is a broadsword. Alucard's theme in Castlevania: Judgment is Dracula's Castle.

Tokyo Game Show 2008


A short trailer was shown at the Tokyo Game Show 2008 that hinted of a new Castlevania game in development. The trailer showed Alucard with glowing red eyes and using his blood to spawn a red rapier-type weapon.

With the announcement of Castlevania: Lords of Shadow as the next installment in the series and no further information on this trailer, the project is assumed to be canceled.

Castlevania Puzzle: Encore of the Night
Alucard is the protagonist of Castlevania Puzzle: Encore of the Night, which is a puzzle game that retells the events of Castlevania: Symphony of the Night. He is the only character who can be played in Story Mode and can also be played as or against in Arcade Mode.

Castlevania: Harmony of Despair
$Harmony of Despair$

Alucard appears in the co-op game Castlevania: Harmony of Despair much as he does in Castlevania: Symphony of the Night. He is able to collect most of his swords, clubs, and shields. He is able to use his spells, but unable to use sub-weapons. Unlike his appearance in Symphony of the Night, however, Alucard cannot turn into a bat at all. His mist form serves as his Personal Skill, and his wolf form only appears as a replacement for the slide kick that other characters possess in-game.

Pachislot Akumajō Dracula III
$Pachislot$ Alucard appears in Pachislot Akumajō Dracula III as a supporting character. His first encounter with Trevor involves a fight scene that plays identically to his battle with Simon Belmont in Castlevania Judgment. Alucard appears in several scenes, including a battle with a skeleton, finding a sword to wield, and using a telescope. He joins Trevor and Sypha during Dracula battles.

Alucard's appearance is based on his design from Castlevania: Symphony of the Night. His weapon of choice is once again a broadsword.

Castlevania (animated series)
Project 51 Productions obtained the rights from Konami to create a movie based on Castlevania. Their planned project was a direct-to-DVD feature covering the story of Castlevania III: Dracula's Curse, with Alucard as one of the protagonists. The project went on a long hiatus and it eventually came to light in the form of a Netflix animated series, with the first four episodes released on July 7th, 2017, and a second season currently being in production.

Super Smash Bros. Ultimate
Alucard makes an appearance as an "Assist Trophy", a secondary character who, when summoned by the titular item, will fight on the player's behalf for a short period of time. His design is based on his portrayal in Symphony of the Night.

Gallery

 * See: Alucard/Gallery

Trivia

 * The name "Alucard" is "Dracula" spelled backward, which makes sense as he is Dracula's rebel son. The name Alucard, as well as him being Dracula's son, comes from the 1943 Universal Horror film Son of Dracula. Unlike in the film, however, he is not a villain.
 * Alucard has become one of the series most acclaimed characters, and is considered a fan favorite by most.
 * In Castlevania Judgment, in Alucard's ending, it is revealed that Alucard infiltrated a secret Japanese government agency shortly after the Demon Castle Wars to prepare for the Castle's return in 2035. While part of the agency he apparently keeps an eye on the Hakuba Shrine (during which he encounters the caretaker's daughter Mina) and works with Yoko and the Church.
 * Much is unknown about Alucard's past, particularly his age and when he was born, much less how his father came to have a relationship with Lisa. Chronologically, the events occur sometime before Dracula's Curse. Alucard is also absent for many of the games in the series. He does not appear after Dracula's Curse until Symphony of the Night. At the end of Symphony of the Night, he announces his intention to go in to hiding, sparing the world from the cursed blood in his veins. However, he returns in Aria of Sorrow and Dawn of Sorrow. What he does in these stretches of time, as well as his origins, will most likely remain a mystery.
 * Originally, in the Japanese version of Castlevania III: Dracula's Curse, Alucard was a vampire due to his father selling his soul to gain more power. However, this was later retconned with Symphony of the Night's addition of Lisa to the storyline, making Alucard into a dhampir from birth.