Death

Death, also known as the Grim Reaper, is a major villain from Konami's Castlevania series. He is a being born out of Chaos, which in turn came about from the evil in the hearts of humans. Death is Dracula's right hand man, thus he usually appears near the end of the protagonist's quest, often in the Clock Tower, to challenge them before they confront Dracula. He is also sometimes the first of Dracula's major servants to greet the protagonist, such as in Castlevania: Rondo of Blood, Castlevania: Symphony of the Night, and Castlevania: The Arcade. He has appeared in every game except Castlevania: The Adventure and Castlevania II: Belmont's Revenge.

Death sometimes plays an equal or lesser role in Dracula's organization when someone other than he is the driving force behind Dracula's resurrection, such as Shaft, Elizabeth Bartley, or Carmilla. Two of Death's closest associates include Slogra and Gaibon, who directly report to him. He has also been known to show respect to characters for their courage and skill.

Death can also use dark arts to summon the souls of the dead and defeat even the strongest of the living. Being an evil-aligned creature of chaos, Death is very resilient to dark-based attacks, but yields to weapons containing Holy properties, such as the Vampire Killer.

Events of Castlevania: Lament of Innocence
This mysterious being forges an alliance with Mathias Cronqvist - who later becomes known as Dracula - in 1094. Initially, Death pretended to be a servant to Walter Bernhard, owner of the Ebony Stone. However, he later betrayed Walter after Leon Belmont defeated him with the Vampire Killer.



It is revealed that Mathias had the Crimson Stone, a stone much more powerful than the Ebony Stone. With Walter defeated, Mathias gained access to Walter's Ebony Stone, giving him both of the vampire's treasures. To add insult to injury, Mathias used the Crimson Stone to suck out Walter's soul and place it inside the stone. The soul becomes a power source to fuel Mathias's dark desires.

Crushed by Mathias's turn to the dark forces of evil, Leon was ready to slay his former friend when Death arrives and challenges him in the final showdown of the game. Even though Death was defeated, Mathias made his escape after some parting words with Leon. With Mathias gone, Leon swore that no matter where he should go, the Belmont Clan will hunt him and his kind down forever.

Since then, Death has proven to be the Count's most loyal and devoted servant.

Events of Castlevania: Curse of Darkness


After Trevor Belmont had successfully defeated Dracula, the Count placed a curse on all of Europe, with the intent that the corruption and misery bred from it would bring about his resurrection. To speed up the process, a mysterious priest by the name of Zead came across Hector, and appeared friendly enough with his wanting to help him defeat his nemesis, Isaac. What Hector didn't know was that the priest was actually Death in disguise. However, his disguise did not fool the time-traveling Saint Germain, who knew that if either Devil Forgemaster, Hector or Isaac, should fall, then the Dark Lord could be revived. Both fight, and in spite of Saint Germain getting the upper hand during their first tussle (and mentioning he would return until Zead surrendered), Zead manages to trick him into the Eneomaos Machine Tower and freezes his powers until he is defeated in combat by Hector. After this, Saint Germain leaves the timeline, after asking Hector to give Zead his sarcastic regards.

In the reborn castle of Dracula, Hector fights and kills Isaac, but does not fall prey to the curse. Before he knows it, the body of Isaac is whisked away into a coffin by Zead. He had originally planned on using Hector as the host for Dracula when he succumbs to the curse. But he is forced to settle with Isaac's corpse. When Zead removes a scythe from his sleeve, it is then that Hector realizes who Zead really is. Shedding his disguise, Death battles Hector, only to be defeated by the Forgemaster.

Events of Castlevania: Harmony of Dissonance
$Harmony of Dissonance$

This time around, Death wanders through Dracula's Castle searching for his Lord while trying to understand where his master has disappeared to. Death soon realizes that due to Maxim Kischine's eagerness to find and destroy Dracula's body parts the same as Simon Belmont did about half a century ago, he inadvertently had awoken the spirit of Dracula.

This led to Maxim slowly being taken over by the spirit of the Dark Lord, and the split of Dracula's Castle into two different castles. Death recognizes that Maxim's body would make a suitable host for the resurrection of Dracula, and soon seeks to prevent Juste Belmont from finding his friend and freeing him from Dracula's control.

Events of Castlevania: Symphony of the Night
$Symphony of the Night$

After the dark priest Shaft's successful resurrection of Dracula, the Count was swiftly defeated by Richter Belmont in 1792. However, due to a sinister curse placed on him by Shaft, Richter was slowly being possessed by an evil spirit. Five years later, in 1797, Richter Belmont mysteriously disappeared while Dracula's Castle appeared once again.

This time, Dracula's son, Alucard, awakens from his self-inflicted permanent slumber when he senses that something is terribly amiss. When he enters Dracula's Castle, Alucard is confronted by Death. Since Alucard is Dracula's son, Death gives him a chance to cease his attack and turn back. Upon refusing, Death steals all of his equipment and scatters it throughout the entire castle.

Later, when Alucard encounters Death again, the Grim Reaper notes that he has given ample warning, and with Alucard not backing down, he engages him in combat, suffering defeat at the hands of Dracula's son.

Events of Castlevania: Order of Ecclesia
Though there are no specific cutscenes with Death in Castlevania: Order of Ecclesia, he does serve as the boss of the Mechanical Tower, in an attempt to kill Shanoa before she absorbs one of three key Glyphs that would allow her passage to Dracula's domain. It should also be noted that if the player is defeated in the fight, Death will say "Your soul has burned itself out", one of the rare instances of a boss actually commenting about a playable character's death, if any.

Events of Castlevania (N64) / Castlevania: Legacy of Darkness


In 1844, Death is leading a ritual to resurrect Dracula, seconded by Actrise and Gilles de Rais. They abduct then Cornell's adoptive sister Ada to sacrifice her and fully restore their lord.

Later, when Cornell finds his sister in the Clock Tower, Death reappears and kidnaps her again, blaming the uselessness of Ortega (it is hinted that he stealthily followed Cornell after Ortega told him where he hid Ada). After Cornell defeats Dracula at the cost of his Beastman Power, Death and his associates fetch Cornell's werewolf form and sacrifice it, ensuring Dracula's return in eight years. Death ends up rejoicing in the success of the ritual, proclaiming in a burst of laughter that the world will be again shrouded in darkness.

Eight years later, Death manipulates Rosa, a vampire maid who retains her human soul, increasing her power and causing her curse to overcome her, so that she would fight the new Vampire Killer's heir named Reinhardt Schneider, in the Castle Center. But after Reinhardt defeats Rosa but spares her, Death takes her away saying that she will soon become a full-fledged vampire.

Death later ambushes Reinhardt atop the Room of Clocks, but the latter only owes his life to Rosa's sacrifice. Death then engages a battle, but will eventually be defeated. But he swore to Reinhardt, just before disappearing, that he will wait for him in hell where he will keep a "warm place" for him.

Events of Castlevania: Portrait of Ruin
$Portrait of Ruin$

In Castlevania: Portrait of Ruin, Death once again wanders through the castle seeking his Lord and Master, Dracula. However, when he runs into Jonathan Morris and Charlotte Aulin, he learns of the interloper, Brauner, taking the role of Lord of the Castle for himself. Death initially rebuffs the idea of anyone except Dracula controlling the castle, saying the notion is "positively absurd". At first, he does not even try to fight the heroes, even hinting at a possible alliance to kill Brauner, albeit with different aims in mind. However, he is rebuffed and is later confronted in the castle's Clock Tower. He leaves the battle when his energy is exhausted, saying he has other affairs to handle.

Later, after Jonathan and Charlotte defeat Brauner, Death materializes and slices through the usurper with a swing of his Scythe to finish him off. When Jonathan and Charlotte pursue him, they find the newly risen Dracula. Ready to take him out, Jonathan is blocked by Death, who has come to Dracula's aid. In a surprising turn of events, Death and Dracula decide to team up for their battle against the two young heroes. When either Death's or Dracula's life is depleted, Death screams "My power! Use my power!", and at this point, Dracula holds out both hands and calls out "Soul Steal", allowing him to absorb Death's soul and change into True Dracula. It's worth noting that this is likely a callback to Alucard's Soul Steal spell from Symphony of the Night, as well as a reference to Soma's Power of Dominance seen in Aria and Dawn of Sorrow.

Events of Akumajō Dracula: Kabuchi no Tsuisoukyoku
After the ultimate defeat of Dracula in 1999, Death remained with the Castle in the eclipse and fought Soma Cruz there in 2035. He would fight him again the following year in Celia's castle. Death is mysteriously revived once more during 2037, in a part of Wallachia where he notices Dracula's Castle, but realizing neither his master nor a Dark Lord are present the event confuses him as he believes his resurrection in this circumstances impossible. He travels to Japan in order to seek Soma whom he visits after he bids separates from Mina Hakuba. Initially Soma is restless but Death assures his intentions are not hostile towards him or Mina. Death asks Soma if he would assume his role as a Dark Lord, but Soma refuses, being comfortable with his current human life. Death then wonders if the current events are really Soma's doing, but Soma does not understand what Death means and demands answers. However Death replies that since Soma isn't willing to be his master then he has no obligation to answer and departs.

Death returns to the castle where he notices humans in the castle, at the same time realizing the monsters are not hostile towards these humans this confuses Death even further as he looks for his master. He finds Slogra and Gaibon whom he orders to report the current situation. Neither of them respond but strangely attack Death for no reason. Although surprised Death does not the take the insolence kindly and destroys both of them, but he quickly notices that neither of them ever let a scream of pain out, confusing him even further.

Death ventures further into the castle finally meeting Dracula's former servant Olrox inside the castle. Olrox confirms that the current set of events are of his doing and that the humans in the castle are the remnants of Graham's cult that has bowed to follow the Vampire. Death mocks Olrox if he wants to play at replacing Dracula, but Olrox merely states he wants to control both humans and Chaos out of curiosity of what can be done by doing so, emphasizing that Chaos is born of humans and that Death is born out of Chaos, therefore if he can control humans then Chaos could potentially disappear. Death declares Olrox a traitor and the two of them clash with Death summoning his sickles and Olrox summoning bats, both of them cancelling each other. Olrox goes to the courtyard and Death follows with the two clashing without any clear advantage, but then Olrox lures Death into a trap as a magic formation made by Graham's followers summons a large bloody hand that entraps Death depriving him of his power and taking it with him.

Death remains trapped and weakened until his soul encounters the damaged body of Curtis Lang that had been shot mercilessly by Graham's Cult multiple times and at the verge of dying. Death encounters Curtis whose only wish is for the safety of his partner Michelle Danasty. Death then takes possession of the young man's dying body, which is later found by Michelle and restored back to health by Hammer after he uses a potion on his body, seemingly with memory loss the possessed Curtis does not recall the recent series of events.

The two venture in to the castle with Michelle destroying the horde of Zombies while he remains unfazed by them. Michelle continuously tries to protect him and encourage him to remember although he only has vague hints, his change of personality and attitude worrying Michelle the more they explore. The two enter the Clock Tower where they are attacked by a Harpy that Death kills easily using Gale Force by slashing it repeatedly. Michelle is amazed that "Curtis" can use a high level spell and attributes it to Julius' training. "Curtis" remains mostly quiet and keeps advancing, with Michelle fearing that the person in from him isn't Curtis anymore and puzzled at the fact the Harpy never screamed in pain.

Finally "Curtis" and Michelle reach Dracula's throne. Michelle wonders why "Curtis" hasn't used his Holy Whip and has him touch the whip thinking it may trigger some memories back, but "Curtis" warns her that he cannot hold a holy item in his current state and much to Michelle's surprise his hand burns, the duo then encounter Olrox with Death recovering his memories and Michelle learning the truth behind Curtis. Death has Michelle stand aside out of respect for Curtis' wish and fights against Olrox once more.

Olrox explains that the current castle is a copy made by Graham's cult made up possible through the brief Eclipse in the area that allowed Legion and the Puppet Master to be summoned, with Legion being the backbone of the castle while the Puppet Master created puppet copies of the castle's monsters. Olrox further explains that the entire scheme was possible solely out of Graham's Cult wish to follow his master finding humans interesting and the thrill of fighting Death equal to when he faced Alucard. Olrox summons the bloody hand once more but Death is able to put an end to it, forcing Olrox to reveal that the castle is a giant Legion and forming a massive body out Legion's parts. As the battle escalated to inhuman proportions Michelle was paralyzed with fear, but honoring her training and Curtis' wish for her to be happy, Michelle decided to fight using her athletic abilities to reach the ceiling of the room and shot an arrow at Olrox during a brief opening which allowed Death to overpower Olrox and defeat him and Legion.

With Olrox beaten the castle began to crumble. Michelle asked Death if Curtis would not be able to come back but Death didn't really respond. As he disappears he states that while they had a common purpose this time around they are essentially still enemies and leaves. Curtis is eventually revealed to be alive and Michelle theorizes that Curtis was able to live because Death possessed his body while he was still alive, and also imagining that perhaps Death did something to his body. She contemplated how Death is a creature unlike any other she has seen.

Personality
Death possesses absolute and undying loyalty towards his master, always placing his lord above anything else, a loyalty that has earned him his place as Dracula's most trusted servant and a notorious recognition amongst warriors. While he is technically Dracula's second-in-command, he is rarely (if ever) seen leading his forces, instead preferring to act alone in most cases. Whenever his lord is not present, he begins to immediately start to search for him. In the instances in which Dracula isn't fully revived, Death has proved to be a calculating schemer and manipulator, often using the protagonists to indirectly and unwillingly aid in the resurrection of his lord.

It should be noted that his loyalty towards Dracula may increase with time, as no matter who is against his lord, Death will fight to defend him. This is seen mostly with Alucard, as even being the son of his master did not stop Death from attacking him, albeit he showed some level of consideration by merely stealing his equipment at first, although he did not hesitate to attack him later. His greatest display of loyalty is seen in Portrait of Ruin, where he actually fights alongside Dracula for the first time, even allowing himself to be used as a weapon, and going as far as offering his soul to Dracula so that his master could power up.

His loyalty to Dracula post 1999 seems to be rather questionable, however. When Death encountered Soma Cruz, the reincarnation of his master, he lost his ego. In the light novel Death explains that he will serve those who heed the calling of chaos, and the novel even acknowledges that Death and Soma haven't exchanged a single word before the events of 2038. It is possible that Chaos may exert some sort of influence on him that makes him attack without warning, that the existence of other potential Dark Lords, such as Graham Jones may have misled Death into thinking his master is elsewhere, or even that Death ignored Soma for he had no intention of becoming the Dark Lord (and thus, heeding the calling of Chaos) while the other candidates did.

In battle
$Abilities$ $Enemy Data$

Death is a Grim Reaper. As such, he is never seen without his Scythe. His attacks and appearances have changed from game to game, but in general, he always summons floating sickles out of thin air to hunt down his opponents.

Castlevania: Curse of Darkness

 * Feel the fires of hell!
 * Out of my way!
 * Impossible! A mere human beats me?!

Castlevania: The Dracula X Chronicles

 * Time to test your strength!
 * Next time, it won't be so easy!
 * You will go no further!
 * Feel my true power!

Pachislot Akumajō Dracula
$Pachislot$ Death makes an appearance in the Pachislot Akumajō Dracula series (I, II and III). He appears as Zead in many of the encounter scenes, but when fought, morphs into a towering Death similar in form to that found in Castlevania: Curse of Darkness. In the second game, Zead arrives to test Trevor. Three floating cards are displayed which represent which boss you may have to fight. This is similar to the mini-boss battles selected by whipping a floating card during the Death battle in Castlevania: Bloodlines.

Castlevania Judgment
$Judgment$

Death made his first playable appearance in the 3D fighting game Castlevania Judgment. His appearance is based more on his second forms (especially that which appeared in Arcade, which is more human-like), which are more skeletal and lack a cloak. He is equipped with a scythe on his right hand and a hook that replaces his left.

His battle theme is "Evil's Symphonic Poem" from Castlevania: Lament of Innocence. Just before the song's loop, an arrangement of "Poison Mind" can be heard.

Non-Castlevania appearances
Death appears in another Konami game for the MSX system: Knightmare, where he is the boss of the second stage. His attack mirrors the one in Castlevania/Vampire Killer, as he throws scythes in a circular pattern.

Although not a cameo of Death himself, he was referenced with the character Screaming Mantis in Metal Gear Solid 4: Guns of the Patriots, where she, like Death, often levitated and stayed away from the player character while also throwing scythe-like weapons. Like the Castlevania franchise, the Metal Gear franchise was also made by Konami.

Death also made a cameo on the logo for the Private Force "Kill Count" in the online FOB event "New World Order" in Metal Gear Solid V: The Phantom Pain.

Trivia

 * Note that, in Japanese mythology, a "death god" (shinigami) is the name for a type of being (of many) rather than the western idea of a single Grim Reaper, which may explain his status as a minion within the games. It is noteworthy, however, that Death is called "DEATH" in a minority of games - even the Japanese versions - making it possible that Death is, in fact, the sole Grim Reaper from western folklore.
 * Galamoth has his own version of Death ten thousand years in the future, the Time Reaper. Interestingly, the Time Reaper looks like Death himself in Curse of Darkness, even having Death himself acknowledge this in his True Story Mode.
 * Despite his loyalties to Dracula, Death fights Soma Cruz in both games that he has appeared in, even though, technically, Soma is the reincarnation of Dracula. In the light novel Akumajō Dracula: Kabuchi no Tsuisoukyoku, Death explains he will serve anyone who is willing to heed the calling of Chaos and take up Dracula's name. It is possible that Death wanted Soma dead to allow the power of Chaos to possess Soma, and therefore revive Dracula, or that he had no interest on Soma since he didn't want to heed the calling of Chaos while other candidates did.
 * In Belmont's Revenge, when the player walks across the bridge that leads to Dracula, statues in the background that resemble Death can be seen.
 * Often, Death's HP/EXP values contain only fours, or they are multiples of four in some obvious way. This is a Japanese-language-specific pun, as the pronunciation of the number "four" and the word for "death" are phonetically identical ("shi").
 * Death disguising himself as a priest in Curse of Darkness is inspired by a scene in Ingmar Bergman's classic 1957 film, The Seventh Seal.
 * The fact Death is mostly fought in or near a clock tower may be because the concept of death is sometimes associated with time.
 * Death's appearance planned in Castlevania: Resurrection looks like the pale horse in Gustave Doré's painting Death on the Pale Horse